Paul Moeyes

In 1993 I completed my PhD research on the writings of Siegfried Sassoon (1886-1967), which was later published in an British and American trade edition: Siegfried Sassoon: Scorched Glory (Macmillan/St Martin’s Press, 1997). In true Sassoon-fashion I had ‘stumbled’ (‘stumbling’ and ‘blundering’ are recurring words in Sassoon’s war writings) across his Sherston-trilogy in my first year at Amsterdam University. It led me to his war poetry, to other war poets, and to that whole historical & socio-cultural phenomenon: the Great War and its impact on British society.

It made me wonder what had happened in my own native country, the Netherlands, at the time. I knew it had remained neutral, but at school we had never been told anything about the period, and it seemed to me that in a country that was so near the battlefields of the Western Front and so close to two of the main warring nations, Britain and Germany, the war could hardly have passed unnoticed.